Hearing a story told to you, a voice in your ear, is a special experience. AudioFile’s mission has always been to evaluate and recommend audiobooks so that we can help connect audiobook and listener. And at the end of each year, we have the privilege of shining a spotlight on some of our favorites. Consider these your can’t-miss listens. On the following pages, you’ll find AudioFile’s picks for the Best Audiobooks of 2025 in nine categories. A world of thanks and appreciation to all of the authors, narrators, producers, and publishers who, together, create such fantastic listening.
AWAKE by Jen Hatmaker, read by Jen Hatmaker
Those who have watched Hatmaker’s videos or listened to her podcasts will immediately recognize her distinctive speaking style in this memoir recounting her journey from the trauma of divorce and evangelicalism to the healing and rebuilding of her life. Her cadence is energetic, and listeners will be captivated by her combination of gravity and humor overlaid with forthright sincerity. Also, featured in the audiobook are asides voiced by friends and family, as well as audio clips of interviews from Hatmaker’s podcasts.
Read the full review
BALDWIN by Nicholas Boggs, read by Ron Butler
For more than 24 stunning hours, narrator Ron Butler immerses listeners in the world of writer James Baldwin. This detailed biography structures Baldwin’s life around his greatest loves, the people who filled so many of his thoughts. Butler’s narration is a master class in maintaining the listener’s attention over the course of a lengthy audiobook. He makes every change in tone, volume, and pace with careful purpose, creating a seamless listening experience.
Read the full review
BOAT BABY by Vicky Nguyen, read by Vicky Nguyen
Award-winning NBC News Anchor and Chief Consumer Investigative Correspondent Vicky Nguyen delivers her memoir with the same passion and rapid-fire delivery that she brings to her television work. This audiobook offers great insight into the talented journalist. Born in Saigon, Nguyen fled to a Malaysian refugee camp with her family, finally immigrating to the U.S., where she continues to experience the pain of racism. Her ambitious quest for each TV job is carefully balanced with her concern for how her family will be affected as she climbs the career ladder.
Read the full review
MARK TWAIN by Ron Chernow, read by Jason Culp
Twain’s twang, as delivered by Jason Culp, runs through this compelling and comprehensive audiobook like a vein of gold. He convincingly portrays the great humorist in all his guises—raconteur, lecturer, parent, public figure, wit, and philosopher—homespun and not. Culp expertly narrates the exposition (and in a 44-hour biography there’s plenty) and modulates his voice and pitch for different speakers. But it’s in his emulation of the tone and timing of the old rakehell himself that Culp sparkles.
Read the full review
MEMORIAL DAYS by Geraldine Brooks, read by Geraldine Brooks
When novelist Geraldine Brooks’s husband, Tony Horwitz, dies while on a book tour, she gets the call from a harried medical resident who can’t get off the phone fast enough. Brooks alternates between memories of those first days and her life three years later on an isolated island in Australia, where she finally takes time to focus on grieving. Listening feels particularly intimate. Brooks’s performance is heartfelt and beautiful, both precise and expansive. .
Read the full review
THE SPINACH KING by John Seabrook, read by Dion Graham
This performance by a five-narrator cast is truly special. Every perspective offers an individual personality and a spectrum of emotions. It genuinely feels like each character is a complete story on their own, but when blended together, they create a symphony of mystery, challenges, and compelling world-building.
Read the full review
AND SHE WAS LOVED by Andrea Davis Pinkney, read by Andrea Davis Pinkney
Andrea Davis Pinkney showcases her praise poem to Toni Morrison with a practiced delivery, addressing her subject as "you" throughout. Pinkney is gentle in describing Morrison’s youthful love of letters; she deepens her voice as the future Nobelist gains confidence at Howard University. Her voice swells with pride as Morrison conquers the literary world as an editor and writer before turning conversational in her author’s note. Print and audio combine for an experience worthy of Morrison’s life and legacy.
Read the full review
BAD BADGER by Maryrose Wood, read by Chris Devon
English narrator Chris Devon provides a warm background while bringing to life the characters in this simple and compelling tale of friendship. While Septimus loves listening to opera in his cottage by the sea, he knows that he’s a bad badger—and even questions whether he’s a badger at all. For these reasons, he’s both relieved and happy when a gull begins visiting him. Devon provides character to the one-word seagull and infuses Septimus with emotions ranging from anxiety to joy.
Read the full review
HOW SWEET THE SOUND by Kwame Alexander, read by Karen Murray
Every second of this dynamic production—from the bouncing notes of the opening theme to the last snapped finger—creates a musical soundscape. Narrator Karen Murray's sweet and steady tones guide the listener through a history of Black music told in rolling lines of poetry. Murray moves seamlessly from the talking drums of Africa through the origins of the blues, jazz, funk, and soul, and forward to the birth of hip-hop and rap, with many stops in between.
Read the full review
MILLIE FLEUR SAVES THE NIGHT by Christy Mandin, read by Elizabeth Knowelden
Simply perfect! No detail is missing from an enchanting picture-book adaptation that needs no images. An orchestral score is seamlessly layered with the sounds of nocturnal creatures and the frightened murmured voices of Garden Glen residents who are scurrying to light lanterns to keep the darkness at bay. Narrator Elizabeth Knowelden's prim English accent perfectly suits Millie and her mom, the only family with a night garden.
Read the full review
THE POISONED KING by Katherine Rundell, read by Sam West
Narrator Sam West effortlessly sweeps listeners along in this magnificent sequel to IMPOSSIBLE CREATURES. When Anya’s grandfather, the king of Dousha, is murdered and her beloved father is accused of the crime and imprisoned, Anya will do anything to help him. Help comes in the form of Christopher, a guardian of the magical Archipelago where Anya lives, along with a bevy of fantastical creatures. West’s immersive and deeply empathetic performance exemplifies the best of storytelling.
Read the full review
WHALE EYES by James Robinson, read by James Robinson
Author and narrator James Robinson combines his documentary filmmaking skills and familiarity with audiobooks to render his experience with serious visual disability in audio. Sound effects immerse the listener in Robinson’s memories, like the ticking of the school clock as impatient classmates wait while he struggles to read. He sometimes inserts the confused conversations of friends and family who are puzzling out images of the world as he sees it. Robinson's caring outlook and advice on society, specifically the disability community, is, unsurprisingly, visionary.
Read the full review
DARK RENAISSANCE by Stephen Greenblatt, read by Edoardo Ballerini
Author Greenblatt and Golden Voice Edoardo Ballerini match well in this insightful biography of Shakespeare’s predecessor and early model, playwright Christopher Marlowe. Little is known for certain about Marlowe’s life, or more mysteriously, his murder at age 29. His sparse biography is fleshed out and enriched by a marvelous evocation of Elizabethan theater before and during his brief career—and his impact on a string of his contemporaries, particularly Shakespeare.
Read the full review
THE FATE OF THE DAY by Rick Atkinson, read by Grover Gardner, Rick Atkinson
Author and narrator are both at their best here. Few accounts of the great struggle for independence are so fully and vividly recounted, or so penetrating. Washington is the dominating figure, always admirable, but on a human scale, with his share of shortcomings and pretensions. Lafayette, Arnold, even John Hancock—the dusty names step out of the shadows and down from their pedestals. Golden Voice Gardner’s flawless delivery marks this as one of the year’s hallmark listening experiences.
Read the full review
FOOD FOR THOUGHT by Alton Brown, read by Alton Brown
Add “outstanding audiobook narrator” to Brown’s impressive resumé. He performs his “essays and ruminations” smoothly and wittily. His range of interests is expansive: blue crab (eat the soft shell variety), martinis (be wary of ice), Japanese cuisine (seek it out), and more. But it’s his funny and quirky opinions that stay with the listener. A master of the bon mot, he tells stories creatively with an excellent pace and tone.
Read the full review
MOTHER EMANUEL by Kevin Sack, read by William DeMeritt
William DeMeritt’s commanding performance is the perfect complement to Kevin Sack’s tenth anniversary tribute to the 9 slaughtered members of Charleston’s Mother Emanuel AME Church. This work is also a tribute to the rich and inspiring story of the Black church in America—a story laden with hope and hardship. This masterful history of endurance is brought forth by DeMeritt with somber resonance and emotional intensity.
Read the full review
ORIGINAL SINS by Eve L. Ewing, read by Robin Miles, Eve L. Ewing
Kudos to the author, publisher, and narrator of this audiobook. Author Ewing delivers her introduction, which sets up the arguments. She then turns the body of the text over to Golden Voice narrator Robin Miles. Miles is a gifted performer whose tone, tempo, and cadence enhance the dark truths of this provocative work. Ewing, who is a scholar and poet, indicts American schools as historically rigged against Black and Native American students.
Read the full review
WE THE PEOPLE by Jill Lepore, read by Jill Lepore
The U.S. Constitution is under threat, but it has a self-contained aspect that can right the ship of state if only we will let it: the amendment process. Harvard historian Jill Lepore contends the country’s guiding document was not born fully developed and shouldn’t be treated as a static entity. It’s like the best of college lectures—clear and well structured. Lepore’s pace makes it easy for listeners to absorb her main points and to appreciate the bits of humor and colorful historical tidbits that enliven her text.
Read the full review
DEATH OF THE AUTHOR by Nnedi Okorafor, read by Liz Femi, Anthony Osey